[UPDATE 3/16/2012: Click here for Prof. James Tabor's response to Robert Cargill's expose, the subject of the original post.]
A busy day for Talpiot-related news!
Not only did we have the verdict of the James ossuary trial, but yesterday Prof. Robert Cargill posted a very lengthy and devastating analysis of the various image alterations of the Talpiot B tomb “fish art” in this most recent tomb (with many images and illustrations). The stench has become truly overwhelming. Some excerpts are worth including here (boldfacing is Cargill’s):
One can clearly see that the image has been drawn to suggest a “Jesus fish” image where there clearly is none. The “Fish in the margins” image contains artificially added, digitally “inked” lines colored to resemble naturally engraved limestone lines, which do not correspond to the engraved lines on the ossuary. The digital “ink” extends well beyond the engraved lines of the actual image, which do NOT overlap. This means that the image was digitally altered to generate the illusion of small “fishes swimming” around the edges of the ossuary, perhaps to support the illusion that the image just beneath them is a “fish” and not some sort of vessel.
The evidence of commission presented above is indisputable. An unacknowledged digital alteration was clearly made to the “Fish in the margins” image to create the illusion that there are fishes swimming around the edges of the ossuary. And again, this digital manipulation is nowhere acknowledged in the image or its caption. This is textbook digital manipulation of a image for the purposes of supporting a particular claim.
Thus, despite the fact that the engraved lines comprising the oval loop handle are as clearly visible at the same angle and in the same light as other engraved lines comprising so-called “fish’s tail,” and despite the fact that the same engraved oval loop and handles are also clearly visible on the so-called “half fish” on a different panel of the same ossuary, for some reason, Mr. Jacobovici and Dr. Tabor chose to omit this evidence from their representations, and chose not to represent the evidence in the heavily Photoshopped “CGI” “computer enhanced” “composite image” they have been offering to the press.
Cargill’s treatment is supplemented by another analysis of the alleged ossuary fish by Juan V. Fernández de la Gala, Forensic Anthropologist and Zooarchaeologist.